![]() ![]() Recent roles include Queen Elizabeth in Shakespeare In Love and Madame Arcati in Blithe Spirit. Clark has a degree in theatre/performance from the University of South Florida and has worked as an actor in professional theatres throughout the Southeast. In addition to overseeing the TheatreSchool classes and TheatreWings High School Apprentice Program at Charleston Stage, she also creates the curriculum for Charleston Stage's in school residencies and is a popular presenter at teacher inservices and arts education conferences. She has appeared on stage in multiple shows including The Marriage of Bette and Boo, Moon Over Buffalo, A Christmas Carol and You Can't Take It With You. She directs multiple shows each season, favorites include Young Frankenstein and Mary Poppins. She created and oversees Charleston Stage's Resident Acting Intern Program which has employed almost 90 young professional actors to date. Marybeth started acting, teaching, and directing for the Charleston Stage in Season 20 and joined the staff full-time in Season 22. Marybeth is Charleston Stage's Artistic Director Designee. Over the years, Don has also been in many TV commercials and industrial films. Don has been seen at Threshold Repertory Theatre in The Jacksonian and Murder at the Howard Johnson’s. He was seen on the Footlight stage as Vanya in Vanya and Sonia and Masha and Spike and in the musicals, Dirty Rotten Scoundrels and Heathers: The Musical. While working for The Footlight Players, Don directed favorites such as, Who’s Afraid of Virginia Woolf?, The Sugar Bean Sisters, Suddenly Last Summer and the musicals, A Funny Thing Happened on the Way to the Forum, Della’s Diner and Slammergirls. Don has worked with a number of Charleston area’s performing arts groups, including The Footlight Players, where he was a past Artistic Director for the organization. He most recently performed in Charleston Stage’s productions, Noises Off and Murder on the Orient Express. Don first worked with Charleston Stage during Season 20 (1997-1998) when he directed a production of To Kill a Mockingbird. No stranger to the Charleston theatre scene, Don has been producing, directing and acting in theatre productions for decades, all while handling his professional career as a civil engineer. Samille most recently appeared as Ouiser in Charleston Stage's Steel Magnolias. Samille is honored to have had so many acting opportunities with Charleston Stage and to be a part of the Ensemble. Samille has also appeared on stage with What If? Productions in House of Yes and Kimberly Akimbo and with Threshold Company in Becky Shaw and Uncle Vanya. She has performed with Midtown Acting Company (favorites include Shadowbox, On Golden Pond, Driving Miss Daisy, 4000 Miles, and Collected Stories) and with Village Rep at Woolfe Street Playhouse (favorites include August Osage County, Suddenly Last Summer, Cat On a Hot Tin Roof, Grace and Glorie, Mornings At Seven, Dead Man’s Cell Phone, Enchanted April, Trip To Bountiful, The Lyons, and Marjorie Prime). Samille has appeared with Footlight Players (favorites include I Hate Hamlet, Sisters Rosensweig, Dearly Departed, Rumors, Lion In Winter, Quartet, and Suddenly Last Summer). Some of her favorite shows with Charleston Stage are All My Sons, Moon Over Buffalo, Ballyhoo, Brighton Beach Memoirs, Broadway Bound, Gershwin at Folly, Steel Magnolias, To Kill a Mockingbird, The Importance of Being Earnest, The Foreigner, and Helium. They’ll perform in leading roles throughout our 46th Season at the Historic Dock Street Theatre.Ī native Georgian, Samille has been with Charleston Stage since their 19th season when her first show was Glass Menagerie. These talented actors from the Charleston community are members of our core company ensemble. Meet Charleston Stage’s 2023-24 Acting Ensemble. West Ashley Theatre Center and Space Rental.Directions to West Ashley Theatre Center.Drinks flow throughout the evening and mounting jealousy turns violent, and all parties must come to an end. When a vivacious group of guests arrive, attractions intensify and things get a little too steamy. It’s Manhattan in the 1920’s and Burrs and Queenie want to throw a party-to-end-all-parties. Based on Joseph Moncure March's 1928 narrative poem of the same name, this darkly brilliant show features one of the most exciting, pulse-racing scores ever written.Īndrew Lippa’s The Wild Party tells the story of two explosive lovers, Queenie and Burrs, whose intoxicating attraction confuses even them. A gin and jazz soaked, debaucherous good time!Ĭontent Warning as it pertains to the plot: This production contains simulated sexual violence, strong language and adult themes.Ī steamy prohibition tale, steamrolling and roaring its way across the stage, Andrew Lippa's Wild Party was an Off-Broadway gem that garnered an array of industry accolades, including Drama Desk, Outer Critics Circle and Obie awards. ![]()
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